Download E-books Defining Memory: Local Museums and the Construction of History in America's Changing Communities (American Association for State and Local History) PDF

Defining reminiscence makes use of case reports of indicates from round the nation to ascertain how neighborhood museums, outlined as museums whose collections are neighborhood in scope or whose audiences are essentially neighborhood, have either formed and been formed by means of evolving group values and experience of heritage. Levin and her individuals argue that those small associations play a key position in defining America's self-identity and will be studied as heavily as extra nationwide associations just like the Smithsonian and the Metropolitan Museum of artwork.

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Extra info for Defining Memory: Local Museums and the Construction of History in America's Changing Communities (American Association for State and Local History)

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The choice to be a nation association used to be made in 1908. Susa younger Gates, then president of the association, sought after the association to be extra heavily attached with the Mormon church. in line with historian James B. Allen, “[She] observed expanding secularization as a probability to [her] plans for [Mormon] temple paintings” (Quoted in James B. Allen and Jessie L. Embry, “‘Provoking the Brethren to solid Works’: Susa younger Gates, the relaxation Society, and Genealogy,” BYU experiences 31 [July 1991]:122–23). while the DUP refused to head in addition to Gates’s feedback, she resigned and endured her family tree paintings in the Mormon Church’s association. 17. Carter, “The Daughters of Utah Pioneers,” center Throbs of the West 10 (1949): 426. 18. Winn and Olsen, “Daughters of the Utah Pioneers throughout the Years,” 104. 19. Carter, “The Daughters of Utah Pioneers,” 426–27. 20. Carter, “The Daughters of Utah Pioneers,” 427–28; Winn and Olsen, “Daughters of the Utah Pioneers in the course of the Years,” 107. whereas the DUP used to be no longer formally hooked up to the 176 JESSIE L. EMBRY AND MAURI LILJENQUIST NELSON Mormon Church, the club used to be frequently similar to the church’s Women’s reduction Society. hence, a few Salt Lake urban citizens objected to the nation aiding with the DUP museum. presently, ladies whose ancestors got here to Utah sooner than 1869 can develop into DUP contributors, and non-Mormons serve at the imperative committee (Wadley, “100 Years of defending the Past”). 21. Carter, “The Pioneer Memorial Museum and Saramarie J. Van Dyke Carriage House,” a permanent Legacy 1 (1978): 341. 22. advertisements leaflet for the Pioneer Memorial Museum touting it because the “finest Relic reveal within the West” is obtainable on the L. Tom Perry designated Collections, Harold B. Lee Library, Brigham younger college, Provo, Utah. 23. In 1987, the Pioneer Memorial Museum had 200,000 artifacts and was once nonetheless accepting contributions. Winn and Olsen, “Daughters of the Utah Pioneers in the course of the Years,” a hundred thirty five. 24. Kate B. Carter, “Story of Pioneer Memorial construction and Museum,” Treasures of Pioneer historical past three (1954): 478, 480. 25. Kavanagh, “Preface,” xii. in response to Kavanagh, “It was believed that the juxtaposition of some items to make a ‘Victorian bed room’ . . . will be sufficient,” yet nowa days, shows are “dazzling within the variety of fabric and oral facts awarded. ” 26. Carter, “Old Samplers,” an everlasting Legacy 2 (1979): 89–122. 27. Carter, “Old Samplers. ” 28. Carter, “Old Samplers. ” 29. Gaynor Kavanagh, “Making Histories, Making Memories,” in Making Histories in Museums, 2, 6. 30. Wadley, “100 Years of shielding the earlier. ” 31. Mauri Liljenquist [Nelson], “Postmodern Philosophy and Its impact on glossy Museum idea and Development,” The Thetean: A pupil magazine for Scholarly old Writing 28 (1999): 89. 32. Kavanagh, “Preface,” xi. 33. Susan Crane, Museums and reminiscence (Palo Alto: Stanford college Press, 2000), 12. 34. Richard H. Kohn, “History and the tradition Wars: The Case of the Smithsonian Institution’s Enola homosexual Exhibition,” magazine of yank background eighty two (1995): 1047–48.

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